Archive for the ‘ Technique ’ Category

Shut Up and Teach – Or – Why Science Says the Lecture Is a Bad Idea

The notion of replacing or limiting the venerable lecture has been visited in earlier posts (The Inverted Classroom and The Future of the Lecture) but it seems the topic is far from exhausted. Recent research in cognitive psychology published in the journal Science points to another dimension in the problem of lecturing, namely, that people (read: our brains) do not remember much of what they hear in lectures. This may come as obvious to many students and conference attendees alike but this time it’s coming from investigative scientists who have the numbers to prove it.

Backing up a bit, suppose you were asked to design and deliver a class or training session that had to maximize educational outcome – meaning, it had to work as a learning tool more to the benefit of the students than the teacher – no holds are barred, and you knew of a technique that resulted in an 80% improvement over the traditional lecture method. Would you use that method? More to the point, could you justify not using it? Well that is what Deslauriers, Schelew and Wieman found (see Science article below) when they compared the lecture with a more interactive class they designed to teach physics. All things being equal, if you supplant the lecture with a presentation that is designed to work more in accord with how most people learn, test scores go from 41% for the garden-variety lecture class to 74% for the interactive class. Pretty impressive stuff.

So what is the nature of the design of the interactive class? Put simply, research in cognitive psychology suggests that learners will get better results if they use what they have just been given right away. The theme: Deliver new information, play with it, use it to solve problems, evaluate mastery of the skills and concepts, repeat as needed. Deslauriers, Schelew and Wieman’s physics students were hit repeatedly with questions during class that they had to answer with clickers. Students frequently worked in groups where they were challenged to use their new knowledge to solve problems. Lastly, the students were evaluated in part using two class tests rather than the traditional single mid-term exam.

Let’s make it clear, pouring the old wine in a new bottle does not make it sweeter. Content matters. Doing homework in class and listening to lectures at night is not “flipping the classroom.” Recording lectures and putting them on YouTube or iTunes U is no solution:

“A University of Maryland study of undergraduates found that after a physics lecture by a well-regarded professor, almost no students could provide a specific answer to the question, ‘What was the lecture you just heard about?’ A Kansas State University study found that after watching a video of a highly rated physics lecture, most students still incorrectly answered questions on the material.” — David H. Freeman, Discover Magazine

Even in the best cases of well-thought-out well-designed interactive classes some likely criticisms remain. There is an issue with the Hawthorne Effect that needs to be retired, but personal experience suggests that these findings are not surprising or unusual, at least in kind. Another question that surfaces is whether this kind of interactive class lends itself to subjects like literature, philosophy, history or political science. What are the limits of the approach?

Finally, we have to ask why if there is so much evidence and personal experience against lectures do we persist in giving them? The answer might well be wrapped in four prominent qualities of the practice: 1) lecturing is easy and cheap to do; 2) we have been taught to accept bad lectures as normal (for well over a thousand years!); 3), they (certainly the live version) create an illusion of interactivity between the presenter and audience that is not supported in actual observation (see D. Clark below); and 4), they stand as proof by the presenter and/or the institution that the material has been covered and “delivered” to the audience.

Pragmatically, and for the reasons above, lectures inherently favor the presenter and the institution. Lectures originated in a time when books and information were both scarce and expensive and colleges needed to solve a problem of distribution. Closer to the modern era lectures appear to be supported by tacit agreement with the dubious notion that teaching and telling are the same thing:

“The problem is not with the lecture but with the idea that receiving information is the key part of learning.” — Dominik Lukeš

The notion that the lecture’s time has come is finally reaching the Academy. Educators like Graham Gibbs (see below) have been questioning its value for over thirty years. More recently university professors like Stanford University’s (formerly) Sebastian Thrun have had their own epiphanies on the matter:

Mr. Thrun told the crowd his move [away from Stanford] was motivated in part by teaching practices that evolved too slowly to be effective. During the era when universities were born, ‘the lecture was the most effective way to convey information. We had the industrialization, we had the invention of celluloid, of digital media, and, miraculously, professors today teach exactly the same way they taught a thousand years ago,’ he said.” — Nick DeSantis, Wired Campus

Dr Wieman likewise has his own concerns about his colleagues and the future of the lecture in science instruction. As recorded by David Freeman of Discover Magazine:

“But scientists who teach have proven reluctant to toss out the lecture, never mind the evidence that it doesn’t work. ‘They say this is the way it’s always been done, and it was good enough for them, so it’s good enough for their students,’ Wieman says. Were this attitude to hold in medicine we would still be bloodletting, in physics we would be trying to reach the moon with very large rubber bands, and in economics we would still be suffering major worldwide financial crashes. (Well, physics and medicine are advancing, anyway.)” — David H. Freeman, Discover Magazine

What seems certain is that we are on the foothills of a major shift in what happens in the classroom. What develops in terms of the effects on corporate, college and military training remains to be seen. After all, it might not result in a single universal one-size-fits-all form. How this upheaval in teaching feeds into distance learning and web-based training is another discussion that almost certainly has to rear its head. The resultant form of the instructional process is anybody’s guess, but what is certain is that whatever it evolves into, whatever we see as the best fit for our instructional purpose, teaching well will remain hard work.

References.
Freeman, David, H., Impatient Futurist: Science Finds a Better Way to Teach Science

http://homepage.ntu.edu.tw/~jiayang/me1005/2011f/2011%20Science-%20Improved%20learning%20in%20a%20large-entrollment%20Physics%20class.pdf

Gibbs, G., “Twenty Terrible Reasons for Lecturing,” SCED Occasional Paper No. 8, Birmingham. 1981.

Clark, Donald, “Don’t Lecture Me” – ALT-C 2010.

Clark, Donald, “Lectures selling students short: evidence from ‘Science’

Lukeš, Dominik, “Putting lectures in their place with cautious optimism

DeSantis, Nick, “Tenured Professor Departs Stanford U., Hoping to Teach 500,000 Students at Online Start-Up

Deslauriers, Loius, Schelew, Ellen and Wieman, Carl, “Improved Learning in a Large-Enrollment Physics Class” Science 13 May 2011: Vol. 332 no. 6031 pp. 862-864

 

Rating 3.00 out of 5
[?]

The Eye of the Beholder – Why We Prefer Rounded Corners Over Sharp Edges

Rounded rectangles are everywhere. You might think the reason they are so ubiquitous is because web and product designers’ minds are being controlled by an alien graphical design style ray that shows little chance of letting go. Or, maybe not. Beauty, in the case of the rounded rectangle, might be in the eye of the beholder – literally.

Apparently the visual system favors rectangles with rounded corners, making layouts, interfaces and presentation graphics easier to view and take in. Having a hard time believing that rounded corners make a difference, try this. Look at the images below. Which is easier to look at?

Attribution: uxmovement.com

The reason the circle appears more agreeable is because we are wired to prefer round to sharp edges (and by extension round to sharp things). Keith Lang at UI&Us quotes researcher Jürg Nänni on the eye-brain’s peculiar penchant for roundness:

A rectangle with sharp edges takes indeed a little bit more cognitive visible effort than for example an ellipse of the same size. Our ‘fovea-eye’ is even faster in recording a circle. Edges involve additional neuronal image tools. The process is therefore slowed down. – Professor Jürg Nänni as quoted by Keith Lang (see below)

Anthony Tseng at UX Movement presents two other examples where rounded corners aid and abet the perception of graphical information. The box diagram is a common graphical type used in organization charts and process diagrams. Note the differences between the rectangular and rounded lines. The curves add flow to the procession through the diagram.

Attribution: FMC Visualization Guidelines

In a second example Anthony Tseng shows how rounded corners not only guide the eyes but also act on the attention of the viewer. In what might be a great tip for instructional designers and artists notice how the use of the corner radius acts to focus attention on what is inside the boxes.

 

Attribution: Anthony Tseng

Rounded corners also make effective content containers. This is because the rounded corners point inward towards the center of the rectangle. This puts the focus on the contents inside the rectangle. – Anthony Tseng at uxmovement.com

 

Still wondering why we see so many rounded rectangles in objects around us?

Attribution: UI&Us

 

References

Tseng, Anthony, “Why Rounded Corners are Easier on the Eyes

Lang, Keith, “Realizations of Rounded Rectangles

FMC Visualization Guidelines

Rating 3.00 out of 5
[?]

At a Loss for Words – The Future of the Lecture Might Be in Less Talk

Silentium - Latin for "Shut Up & Pay Attention"

A recent study from researchers Louis Deslauriers, Ellen Schelew and Nobel Laureate Carl Wieman suggests that the Methuselah of instructional technologies, the venerable broadcast lecture, might finally be showing signs of going the way of geocentricity and the four humors. Applying methods taken from the theory of “deliberate practice” by psychologist Anders Ericsson, the research team introduced a more interactive, discussion-based and assessment-oriented approach to a physics class that strongly implies major improvements to science and engineering instruction in general.

The setting for the study involves two groups of electromagnetics students (control: 267; test: 271) wherein both were given the same learning objectives and enjoyed the same pedagogical approach (but not the same instructors) for the first 11 weeks of instruction. On week 12, Deslauriers and Schelew (both of whom have limited teaching experience) jumped into the fray and according to the BPS Research Digest lead the test group utilizing “…discussions in small groups, group tasks, quizzes on pre-class reading, clicker questions (each student answers questions using an electronic device that feeds their answers back to the teacher), and instructor feedback.” And, what is especially important to note here: there was no formal lecturing. According to the researchers the object of the game was:

“…to have the students spend all their time in class engaged in deliberate practice at ‘thinking scientifically’ in the form of making and testing predictions and arguments about the relevant topics, solving problems, and critiquing their own reasoning and that of others.”

In contrast to the test group, the control group went on learning the same material in the normal (typically passive) fashion epitomized by classroom lectures for probably the last 900 years. The students, however, apparently noticed a difference. As quoted in the BPS review:

“Student engagement (measured by trained observers) and attendance in the control group was unchanged in week 12 compared with earlier weeks. In the intervention group, attendance rose by 20 per cent and engagement nearly doubled.

The critic or cynic might assert that the presenters were putting on a better show in the test case. What about student performance? On the first day of class after week 12 both groups were tested on what they had learned the previous week. In addition, as part of the preparation for the test, both groups were given all the materials used by the intervention group, i.e., the clicker questions, group activities and problem sets, and exercise solutions. The results are as striking as the jump in student engagement:

The non-lecture intervention group averaged 74 percent correct while the control group averaged 41 percent. Factoring out random guessing, the intervention group did twice as well as the traditional lecture students (the effect size being on the order of 2.5 standard deviations!). Not to be downplayed, student reviews rated the non-lecture approach very positively. Ninety percent said they enjoyed the process.

Jeffrey Mervis writing for the AAAS ScienceNow magazine quotes Wieman as saying:

‘It’s almost certainly the case that lectures have been ineffective for centuries. But now we’ve figured out a better way to teach’ that makes students an active participant in the process, Wieman says. Cognitive scientists have found that ‘learning only happens when you have this intense engagement,’ he adds. ‘It seems to be a property of the human brain.’ ” – Jeffrey Mervis, A Better Way to Teach?

Given the novelty of the technique and the overt nature of the study there has been some criticism of the results based on the Hawthorne Effect. The research team discounts this criticism on the basis that the intervention only occupied a small percentage of the students’ overall daily learning activities. Drilling a little deeper, psychology professor Daniel Willingham (as recounted in Carey below) cautioned that the study might not have been designed well enough to discern which of the factors introduced in the new classroom style account for the gains in student performance and to what degree.

In what might be one of the clearest victories for proponents of the Inverted Classroom the research team is optimistic of the result and reckons it can be generalized to a wide range of post-secondary courses. No doubt further studies can be expected. The study in question is supported by a $12 million dollar program to investigate new methods to enhance science instruction using research-backed methods.

References.

Deslauriers, L., Schelew, E., and Wieman, C. (2011). Improved Learning in a Large-Enrollment Physics Class. Science, 332 (6031), 862-864 DOI: 10.1126/science.1201783

Carey, Benedict (2011). Less Talk, More Action: Improving Science Learning
http://www.nytimes.com/2011/05/13/science/13teach.html

Mervis, Jeffrey (2011). A Better Way to Teach?
http://news.sciencemag.org/sciencenow/2011/05/a-better-way-to-teach.html

Dwyer, Liz (2011). Research Proves College Lectures Need to Go the Way of the Dinosaur
http://www.good.is/post/research-proves-college-lectures-need-to-go-the-way-of-the-dinosaur/

Expert Performance and Deliberate Practice
http://www.psy.fsu.edu/faculty/ericsson/ericsson.exp.perf.html

The Inverted Classroom
http://www.hg2s.com/blog/2009/11/14/the-inverted-classroom/

Rating 3.00 out of 5
[?]

Learning from the Khan Academy

At first glance Salman Khan appears a most unlikely revolutionary. Although well educated (note: he is neither an educator nor a psychologist) he has nonetheless, and from most accounts, single-handedly ignited a revolution in teaching that any “real” educator, government administrator or instructional designer would be proud to lay claim to.

What started as simple private tutorials in math for his cousins – utilizing what he describes as about $200.00 in computer accessories and shareware – Khan drew upon his innate interest in education (along with perhaps his own personal frustrations as a student) to craft a series of screen capture how-to guides for solving high school math problems. As word spread among friends and family members, viral interest forced Khan to move his homespun videos to YouTube to service his burgeoning audience, completely for free. The rest, as they say, is history.

At present the Khan Academy (a not-for-profit educational organization founded in 2006) has served over 51 million views from a library of over 2200 videos. In addition to math and physics, topics now embrace history and biology. School districts and major corporations are attempting to use and develop his methods for their own internal applications. Donations from private sources and the likes of Google and the Gates Foundation have subsequently allowed Salman Khan to quit his day job and devote his energies full-time to the development of his Academy and the distribution of educational programs worldwide (“providing a high quality education to anyone, anywhere”).

Looking over Khan’s presentations on his methods you begin to wonder what makes the Khan Academy so successful. After all, this isn’t the result of a major educational research program, a sweeping government initiative, or a mass popular movement in educational reform. Further, what makes the Khan Academy even more interesting is that Khan’s tutorial method is not so much ingenious as it is ingenuous.

In several of his talks Khan is fairly straightforward in his assessment of what makes his method work. First and foremost, as Khan attests, each of the videos offers a lesson on a single concise topic (a “concept”) for no more than about 10 minutes. One key idea, cut in a bite-sized chunk, for a period not to exceed the boredom threshold of the average viewer. Given that the videos are recorded and stored online, the presentations can be played any time and repeated as needed by the student until he or she feels comfortable to move forward.

Another feature of the tutorials is the general tone they are given in. As Khan describes it, they feel like they are coming more from a friend than a teacher. You have a sense that Khan is there with you, sitting by your side, leading you through the problems with a pencil and paper. They are down-to-earth, enthusiastic and rigorous without a trace of giddiness, pomposity or pedantry. The student feels like “…there is an individual who cares about you,” Khan says. The student comes away with a sense that the instructor wants to help him or her over the obstacles in the landscape because he has been in the student’s place himself and sympathizes with the struggles that lay ahead.

Drilling down a layer into the Khan Academy’s unique style reveals even more about what makes the “secret sauce” special. Each of the bite-sized topics that are referred to previously are in fact carefully culled and curated learning objects. The trick, of course, is to first know the subject well enough to select which topics to present and in what order. Following that, the teacher must distill the concepts to their absolute essence.

This distillation process is, to all who have tried it, much harder than it looks. In fact, the ability to select and summarize complex material and ideas, rather than resorting to the indiscriminate slathering of a PowerPoint slide with bullets, might be one of the hallmarks of an educated mind. Clearly, Khan groks it.

Despite the thought and planning that goes into Khan’s presentations they can hardly be accused of being over produced. This is not Pixar doing technical training. If anything, the digital blackboard and colored chalk renderings show the human side of learning and mastery. The notes and diagrams often appear rough and awkward, but they are at the same time quite genuine, funny and sometimes – to the advantage of the learner – mistaken. As Khan explains it, he is often in the place of the learner and, in contrast to many schools and universities, has not rehearsed the solution beforehand, offering the student the patented procedure. Instead he lets the students witness his own thought processes as he wrestles with the problems and sometimes wanders down the wrong path from which he has to back out and start again – just like a real student.

Nowhere in Khan’s methods can be found any of the bells or whistles of modern post-industrial pedagogy. No Flash animation, interactivity, games, social networking tools, 3D graphics or monolithic learning management systems are to be found. In fact there is little beyond a virtual blackboard and some equally virtual colored chalk. You don’t even see Khan’s face.

The faceless almost tactile sketches and equations provide little distraction and promote focus on the material. This decidedly low-tech solution to training might harken back to ancient watch-me-do-it tribal methods but its effectiveness is not lost on Khan’s students, many of whom write to express thanks that they are not only mastering their classes for the first time but excited about the subjects as well.

Khan’s approach is to teach for academic competency. That is, he instructs in the methods and procedures that assist the student in passing standardized tests and formal exams. After the student completes a module, test problems are offered through a program that Khan designed himself that acts to monitor student progress and flag trouble areas for the teacher. The student is asked to correctly answer 10 problems in a row before moving to the next module. This final process closes the instruction, feedback and assessment loop in Khan’s method and further acts to eliminate the small voids in understanding that can multiply as the student moves forward. Interestingly YouTube assists in the process as well, offering statistics on usage and attention.

One of Khan’s own revelations about his method is telling: it’s so simple and effective that he does not see why anyone needs to give live lectures anymore.

Although he does not refer to it by name, Khan points to (and his method directly parallels) the use of what is commonly called the Inverted Classroom. In an inverted classroom recorded presentations impart new information prior to class while class time is taken up with teachers and peers solving problems (or “doing homework”) quite in reverse to what is traditionally done in schools and training centers.

The results of this method have so far been compelling. Both teachers and students benefit. Teachers benefit because more of their time is spent in directed remediation (particularly if they use Khan’s monitoring software), problem solving and exploration of the material. Students like the inverted classroom because it potentially transforms class time into something useful and interesting. In Khan’s case the testimonials from parents, teachers and students are hard to ignore. His academy and tutorials do work.

More needs to be seen to ascertain whether the Khan Academy represents the future of education as some claim. But what is clear is that it stands as a forceful reminder of what can be done to improve the instruction of certain skills and particular subjects while simultaneously improving the classroom experience for everyone.

References.

Bill Gates’ Favorite Teacher

Salman Khan on Future Talk

YouTube Teaching as Guerrilla Public Service

Yes, the Khan Academy IS the Future of Education (video; singularityhub.com)

Yes, the Khan Academy is the Future of Education

Khan Academy Exercise Software

Khan Academy and the Effectiveness of Science Videos

The Khan academy is Not that Good

We are Khan Academy, You Will Be Assimilated!

Can the Khan Academy flip a classroom?

Rating 3.00 out of 5
[?]

Boning Up on Online Instruction

(c) Peter Steiner, The New Yorker, 69(20).

Although online instruction has grown to be far from a fad, I’ve noticed something peculiar about it. Online courses are nobody’s favorite. Well, that might be going too far. They are clearly among the favorites of administrators and managers hoping to distribute “virtual classroom environments” far and wide without the encumbrances of airplanes, hotels and school buildings, but I’ve never heard of a teacher coming specifically to the profession with a burning desire to teach online.

So far – and it might be too early to see this – the online experience has not produced a teacher, instructor or (God forbid!) an instructional designer who has had a Road-to-Damascus experience online, where one minute there is an ardent but resistant learner and the next a flaming would-be pedagogue anxious to commandeer the reins of a class in order to lead others to a similar experience. Interestingly, two professions that always seem to have an element of mission in them are the clergy (naturally enough) and teaching.

On the flip side students don’t (yet) choose online courses above face-to-face instructor-lead classes – fancy hotels and travel per diems notwithstanding. The reason this is important is that on the one hand it’s unlikely that anyone in the education professions today is going to be able to avoid teaching through or writing for the online environment; and on the other, it might not be a preferred medium, leading one to feel a bit out of place, awkward or even bungling as an online instructor.

Fortunately help is at hand. There are many good references and guides for online training that can assist the new-comer in getting started or serve as a refresher for those returning to the virtual classroom after a hiatus. One resource worth noting is Dr Curt Bonk‘s collection of online video primers for e-Teaching and Learning. The 27 videos focus on planning and delivery of online instruction. The presentations are directed at the college instructor but most are equally of interest to corporate and government trainers. Each video is about 10 minutes in length. Topics include:

  • Planning Online Courses
  • Managing Online Courses
  • Providing Feedback
  • Online Interaction
  • Quality Supplemental Materials
  • Blended Learning Implementation
  • Online Visual Learning
  • Webinars and Webcasts
  • Podcasting Uses and Applications
  • Wiki Uses and Applications
  • Blog Uses and Applications
  • Hands-on Experiential Learning
  • Assessing Student Online Learning
  • Trends on the Horizon

The video primers on e-Teaching and Learning can be viewed here at the Indiana University School of Education Instructional Consulting web site.

Related Links.

On the Internet, nobody knows you’re a dog

Video Primers in an Online Repository for e-Teaching & Learning

Curt Bonk’s e-Learning World

The World is Open

Rating 3.00 out of 5
[?]

Visual Oxymorons: Nonverbal Messages in Design

I don’t think this is much taught in Instructional Design courses, but the design of a presentation conveys information in and of itself to the audience. This is due in large part to the fact that all the elements of a course or presentation (including the presenter) constitute a Gestalt that is projected to the audience.

Good design matters because good design leads to clarity. And clarity facilitates perception.

The design elements often constitute the ground in the figure-ground relationship of the medium, but the whole package conveys a message. The medium is the message.

As an example of how design sends nonverbal cues to the viewer, take a look at the short talk by John McWade of Before & After Magazine. Although taken completely from the design world the example captures the effects of font, color and shape passed as a subliminal message to the unsuspecting eye.

It is not hard to cite these effects in educational media and presentations. How often does a slide, presentation or workshop exercise say “boring” or “we don’t care” or “this is not important” or “this is hard to understand” to an audience? Media evoke reactions from the viewer and the reactions are often affective in nature. Connie Malamed at the eLearning Coach puts it this way:

“This has strong implications for learning, because of the impact positive or negative feelings have on motivation, comprehension and retention.”

We design educational media for a reason. Well designed media lower the barriers to comprehension and assist the mastery of new skills. Things that detract from these goals include boring and inept graphics, awkward symmetry and poor layouts, illegible typefaces, abrasive or boring color schemes, and too much information.

For more information on good design see:

Before & After Magazine

How Visual Clarity Affects Learning,” The eLearning Coach

Visual Language for Designers

Rating 3.00 out of 5
[?]

John Cleese on Creativity

Actor, author, comedian, film producer and behavioral scientist John Cleese offers his insights on how to foster creativity. Anyone who creates anything should see this talk.

Some of his tips include:

  • Sleep on a problem
  • Interruptions are dangerous
  • Ideas come from our unconscious minds
  • Get in the right “mood” to be creative

On how to get in the right “mood” to be creative:

  • Create an “oasis” in which to be creative
  • Create boundaries of space in which to work
  • Create boundaries of time in which to “play”

One of Cleese’s gems:

“To know how good you are at something requires the same skills as it does to be good at that thing. Which means that if you are absolutely hopeless at something, you lack exactly the skills that you need to know that you’re absolutely hopeless at it. … It explains a great deal of life.”

See below or at YouTube.

Cleese, John, “The Importance of Creativity,” Creativity World Forum, 2008 (PDF).

Rating 3.00 out of 5
[?]

The Redesign of Instructional Design or “Knowing Something Doesn’t Necessarily Mean That You’ve Learned It”

 

Fossil fish bridges the evolutionary gap between animals of land and sea. Credit: Zina Deretsky, National Science Foundation

 

I’m glad that someone has gathered the courage to say this out loud: Instructional design in the 21st Century is not about events, it’s about experiences. No doubt from the looks of things, instructional design (ID) is in the natural throes of shaking off the learning events metaphor imposed on it by the educational psychologists of the Industrial Revolution, but learning and development thinkers like Charles Jennings hope that we can hasten it along for the sakes of our students and ourselves. For Jennings the shift from working with the hands to working with the head is a key indicator that promotes the need to move from events toward processes:

“Undoubtedly instructional design is crucial if the mindset is learning events – modules, courses, programmes and curricula. However, if the mindset has stretched beyond event-based learning to where most learning occurs for workers, which is in the workplace at the point-of-need, where process-based learning serves best – and where learning through doing and learning as part of the work process happens, then ID takes on a whole new dimension.”

Jennings posits the notion of “learning” held by inhabitants of the 21st Century as moving from a habitat of “knowledge” to a new one of “behavior.” The medium is the message. It’s not about content anymore.

“For years we’ve been led to believe that ‘learning’ meant acquiring knowledge. If knowledge acquisition is the end-game, then the logical conclusion was to provide information that could be turned, whatever the magic employed, into knowledge in the recipient’s head. Believe me, the old idea that data becomes information which in turn becomes knowledge and finally transmogrifies into wisdom has been debunked years ago. We use our knowledge and experience to interpret data and information. Wisdom comes to a few only after years of experience.”

Jennings reminds us that Ebbinghaus and the Forgetting Curve aside, we need to observe learning in action to make intelligent assessments about its effectiveness. Experience and practice are the keys and, as such, instructional designers need to become interactivity designers.

“Good ID will result in the design of experiences that can build capability and learning far more quickly and effectively than by filling heads with information and ‘knowledge’ and then hoping that will lead to behavioural change.

We need designers who understand that learning comes from experience, practice, conversations and reflection, and are prepared to move away from massaging content into what they see as good instructional design. Designers need to get off the content bus and start thinking about, using, designing and exploiting learning environments full of experiences and interactivity.”

Further information about Charles Jennings and his work can be found here.

Rating 3.00 out of 5
[?]

Teaching that Sticks

Chip and Dan Heath, authors of the popular book Made to Stick: Why Some Ideas Survive and Others Die, have applied key principles of their stickiness theory to teaching. The resultant 13 page e-book is available in PDF format at their web site or on scribd.com as a free download.

Borrowed from their research, the brothers Heath apply six traits that make ideas (and teaching) stickier. Sticky ideas are:

SIMPLE.

“This process of prioritization is the heart of simplicity. It’s what we call ‘finding the core.’ Simplicity doesn’t mean dumbing down, it means choosing. Some concepts are more critical than others. And as the teacher, you’re the only one who can make that determination.”

UNEXPECTED.

“Piquing curiosity is the holy grail of teaching.” Cialdini said, “You’ve heard of the famous Ah ha! experience, right? Well, the Ah ha! experience is much more satisfying when it’s preceded by the Huh? experience.

So how do you create the ‘Huh?’ experience with your students? George Loewenstein, a behavioral economist, says that curiosity arises when we feel a gap in our knowledge. Loewenstein argues that gaps cause pain. When we want to know something but don’t, it’s like having an itch we need to scratch. To take away the pain, we need to fill the knowledge gap. We sit patiently through bad movies, even though they may be painful to watch, because it’s too painful not to know how they end.

Movies cause us to ask, What will happen? Mystery novels cause us to ask, Who did it? Sports contests cause us to ask, Who will win? Crossword puzzles cause us to ask, What is a 6-letter word for psychiatrist? Pokemon cards cause kids to wonder, Which characters am I missing?

One important implication of the ‘gap theory’ is that we need to open gaps before we close them. Our tendency is to tell students the facts. First, though, they must realize they need them.”

CONCRETE.

“Concreteness etches ideas into our brain—think of how much easier it is to remember a song than a credit card number—even though a song contains much more data!”

CREDIBLE.

“For an idea to stick, it needs to be credible. YouTube-era students don’t find it credible that hanging out outside, for a long period of time, alone, could be conducive to great thinking. So how do you combat their skepticism? You let them see for themselves. It’s like a taste test for ideas.”

EMOTION.

“That’s what Emotion does for an idea—it makes people care. It makes people feel something. In some science departments, during the lesson on ‘lab safety,’ the instructor will do something shocking: They’ll take some of the acid that the students will be handling and use it to dissolve a cow eyeball. A lot of students shudder when they see the demonstration. They feel something. Lab safety ‘dos and don’ts’ don’t grab you in the gut, but a dissolving eyeball sure does.”

STORY.

“The second surprise about stories is why stories, even boring stories, are so sticky. The answer starts with some fascinating research done on ‘mental simulation.’ Brain scans show that when people imagine a flashing light they activate the visual area of the brain; when they imagine someone tapping on their skin they activate tactile areas of the brain. The activity of mental simulation is not limited to the insides of our heads. People who imagine words that start with “b” or “p” can’t resist subtle lip movements, and people who imagine looking at the Eiffel Tower can’t resist moving their eyes upward. Mental simulation can even alter visceral physical responses: When people drink water but imagine it is lemon juice, they salivate more. Even more surprisingly, when people drink lemon juice but imagine it is water, they salivate less. … The takeaway is simple: Mental simulation is not as good as actually doing something—but it’s the next best thing. And, to circle back to the world of sticky ideas, what we’re suggesting is that the right kind of story is, effectively, a simulation. Stories are like flight simulators for the brain.

The free booklet gives practical suggestions and examples of how to use “stickiness” to improve lessons and teaching. The authors are quick to remind readers that the principles are pragmatic design guidelines for better teaching not just theories for the way instructional design works. “Teaching that Sticks” is an entertaining and informative read for anyone who designs, writes or presents classes or educational material. A companion booklet “Making Presentations that Stick” is also available.

References.

http://www.madetostick.com/teachers/

Rating 3.00 out of 5
[?]